‘Pilot’ single released on April 28 2008 (Caned & Able Records)
‘Come Tomorrow We Fight’ album released on May 12 2008 (Caned & Able Records)
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‘…a towering beast of a rock band!’ NME
WILL SIMPSON — vocals / guitar NAOTO HORI — bass / vocals
JAMES PLANT — guitars I vocals ANDREW KEARTON — drums/ vocals
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If there was ever a band to capture the essence of powerful dynamics, emotional sincerity and perfectly crafted songwriting, then Brigade are that band.
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Residing in London, but with roots in Suffolk, Japan and Bristol, Brigade are a shining example of a band that fall outside the remit of genre classification.
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No rising young band can take a music fan on such an emotional roller coaster journey as Brigade.
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Here’s a band that write enormous songs; songs that wrap themselves around you like a grappling, hugging I and won’t let go!
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When it came to the creation of second album ‘Come Morning We Fight’, Brigade’s only option was to aim their sights high — in every sense of the word.
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Come Morning We Fight’ sounds huge. It’s an album that towers over the majority of today’s rock bands and will ensure Brigade catapult into the major playing field.
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Every ounce a contender for the rock album of 2008, ‘Come Morning We Fight’ is a maniacal masterpiece of sure rock hits. ‘What Are You Waiting For’ is a bold opening statement of intent: punchy, dynamic and raunchy. Firsts ‘Pilot’ is an infectious and atmospheric heart-wrenching ditty, while ‘Slow Dives & Alibis’ illustrates the band’s pow musical complexities and frantic hard-hitting drive. Ensuring maximum diversity, ‘Sink Sink Swim’ is a somber and uplifting, unashamed pop song.
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Recorded at Monnow Valley Studio (where luminaries such as Led Zeppelin, Biffy Clyro, and Manic Street Preach amongst many have recorded), Brigade enlisted the skills of Chris Sheldon (Foo Fighters, Feeder. Oceansize) to record and produce this magnificent opus. The icing on the cake saw this beauty being mastered in New York at Sterling Sound by Steve Fallone (The Strokes, TVOn The Radio, Kim Gordon).
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But strip this scenario down, take away the name-dropping, and you’re still left with an incredible and extraordinar primary ingredient — a truly inspirational band.
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While 2006’s ‘Lights’ was a debut from a band who were tentatively finding their own feet and direction, ‘Come Morning We Fight’ is testament to a group who have assertively honed their sound, challenged themselves as musicians, dared to experiment outside the norm, and taken immense strides forward in their outlook.
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For the first time in their career Brigade united as songwriters, ensuring that every song was created as a team ef and all voices were heard.
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Says frontrnan Will Simpson: “We have aimed to write songs that will stand the test of time and sit up there with best of what British rock music has to offer. This album has been a massive challenge, we’ve pushed ourselves to the limits in every way. We’ve worked with one of the world’s best producers with a track record that we all, as a band, aspire to sit alongside. We truly believe we have accomplished what we set out to do.”
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Lyrically, Simpson has expanded his horizons to explore uncharted territories, giving ‘Come Morning…’ a broader universal edge.
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“I’ve tried to step out of my own experiences for the first time and try to comment on other people’s lives and brand into darker areas. I fail to comprehend certain things you see on the news or hear about every day and also you are affected by the happenings in the lives of thoae closest to you,” he explains, before joking: “Oh, and there’s a song about zombies too!”
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The band have also welcomed the addition of new drummer Andrew Kearton, who replaced original sticksman Nathaniel Finbow. By Simpson’s own admission the change has transformed Brigade from a bunch of musicians into a “complete unit”.
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“I can’t believe how seamlessly Andrew has fitted in and it feels like we’ve known him for years. He’s such a nice guy and a fantastic drummer, and has nailed everything on the record so we are buzzing. Before, it was hard to feel that we all shared exactly the same goals.”
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Since Brigade’s formation in 2003, the four-piece have turned heads at every opportunity — right from when Will Simpson moved from Bristol to London with the sole intention of forming a band with like-minded individuals.
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An advert in Loot resulted in the first incarnation of Brigade, who played their first gig at the Bull & Gate in London’s Kentish Town in September 03. A few reshuffles later and Brigade soon impressed Mighty Atom Records (Funeral For A Friend’s first home) to sign an EP and album deal with the band. High profile tours and shows with the likes of Biffy Clyro, Fightstar, Sucioperro, Minus The Bear, and Aereogramme have ensured Brigade have earned their stripes on the road, building up an ever increasing loyal army of fans as they march forward.
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The arrival of ‘Come Morning We Fight’ will only see this continue.
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“We haven’t been afraid this time to try things we wouldn’t normally think we could pull off, and we’ve surprised ourselves that the results sound so natural. This is the real beginning of what Brigade can really give to people,” smiles Simpson.
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In battle there is no law, in the music industry only the strong survive. Bands and trends come and go, but only band of a truly special caliber will leave their mark in musical history. With ‘Come Morning We Fight’ Brigade are set to & just that.
Review of single release - Pilot
myspace page
Brigade Live Review